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Editorial
Entre Nous
Auditions/Jobs
European Performance Diary
CARLOS ACOSTA
EMMA MANNING meets the Dancer of the Year between rehearsals at the Royal Opera House
Readers’ Poll
The results— the most voted dancers, companies and directors
How much do dancers earn?
DONNACHADH McCARTHY takes a hard look at dancers’ wages
Rural Retreat— 2nd round
MAGGIE FOYER chats with some of the directors who locked themselves up for the weekend
Frances Campbell-Rees
DEBORAH WEISS asks the Royal Ballet School’s nurse: "So How Was Your Day?"
Paris Opera Concours
EMMA MANNING applauds a long overdue promotion
Japanese Summary
Highlights of this issue translated by YUKI NAGANO
Brown & Forsythe
FRANCOIS FARGUE goes on a Baroque trip with the Paris Opera
Russian Fairy Stories
MAGGIE FOYER contemplates two Fokine classics and Firebird reborn
In Memoriam
FRANCOIS FARGUE sees the Belgian whizz-kid deliver once again
Momentsterben
KATJA WERNER yearns for more daring from ‘the death of moments’
“music by yards”
EMMA MANNING on ballets driven by Tchaikovsky and Prokofiev
Red, Hot and Dirty
MAGGIE FOYER reports on two sizzling performances in Sydney
Me and my selfish
WILLIAM ANTHONY on recent events at Dansescenen in Copenhagen
Simons & Bonachela
DANIEL WALTON is engaged by unadventurous boundaries
4 Ts & more
TIM MARTIN is swayed by NYCB’s fine temperaments
National Ballet of Cuba
Gyor Ballet
Ballet Theater Munich
Scottish Ballet
Irish Modern Dance Theatre
Staatsballett Berlin
National Ballet of Belgrade
Two Fish
Hamburg Ballet
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