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Editorial
Entre Nous
Auditions/Jobs
European Performance Diary
BLANCA LI
KATJA WERNER tracks down the Spanish choreographer in Berlin
GILLIAN LYNNE
DONALD HUTERA meets the veteran choreographer of Cats, Phantom and Chitty Chitty Bang Bang
STUDENT VIEW
ALBA BERDALA, a student at the Central School of Ballet, shares her views on dance and life
DANCE DATE
DONALD HUTERA takes psychologist Ros taylor to see Cie Montalvo-Hervieu
Figments of the Imagination
EMMA MANNING looks at the literary sources of Giselle, Coppelia and Carmen
Genevese Pieces
FRANCOIS FARGUE on Balanchine, Mancini and Teshigawara
Brahms and After
ALISON KENT finds Balanchine a joy but is left in the dark by Jacopo Godani
April me
JASON BEECHEY catches a milestone performance by De Keersmaeker
New Territories
ELLIE CARR is stunned by a lunar experience at this year’s Glaswegian festival
John Jasperse & Babelle Heureuse
DONALD HUTERA is smitten by a New Yorker and enjoys a melting-pot vision of humanity
Sight, Land and Windage
ANDREA BOZIC is enchanted by a Japanese choreographer’s trilogy
Lincoln Portrait
TIM MARTIN suffers another unworthy dance about a worthy cause
Diderov’s Nephew
JACKIE GRAY discovers insular modes of expression in Zagreb
The Hunchback of Notre Dame
VIKI WESTALL re-assesses Michael Pink’s take on Hugo’s tale in New Zealand
Berlin? Life is no cabaret, my friend
KATJA WERNER assesses the myopic state of arts administration in Berlin
Summer Schools, Courses, Workshops and Classes
The essential guide for 2002
Cultural Boycotts
NICHOLAS ROWE asks if artists can change the course of history
Scottish Dance Theatre
Pascal Rioult Dance Theatre
Arc Dance Company
Moiseyev Dance Company
Moscow City Ballet
The Full Monty
Gothenburg Ballet
Birmingham Royal Ballet
Sara Gebran
IRIE! Dance Theatre
Richard Alston Dance Company
Ballet Central
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