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Editorial
Entre Nous
Auditions/Jobs
Good Buys
European Performance Diary
Nominate a dancer in our first readers’ poll
The Big Rendezvous: DAME ALICIA MARKOVA
DEBORAH WEISS meets the legendary ballerina as she approaches 90
SEX, LUST AND PASSION
EMMA MANNING on Béjart, Bourne and Preljocaj
DOWN THE OLD SILK ROAD
DONALD HUTERA slips into Lyon for a silky-smooth Biennale
BETWEEN STONES & STUDIOS
NICHOLAS ROWE reports on the effects of the Middle East crisis on Palestinian dancers
Could Dancers Learn from Athletes?
TILMAN O’ DONNELL questions current training methods
PHILIP TAYLOR
ALISON TAYLOR interviews Munich Ballet Theatre’s director
MICHELLE BRABAN
MELANIE NIX quizzes the choreologist on the mysteries of notation
DANCE DATE: DANIEL EVANS
DONALD HUTERA takes the actor to Romeo and Juliet
Everything a cabbie wanted
to know about ballet but was afraid to ask…
7DS in Salford
VIKI WESTALL weighs up Didy Veldman’s new work
Three Gifts and All Ye Need to Know
WILLIAM ANTHONY is impressed by Schaufuss’ new take on an old Bournonville ballet
Rocka my soul in Hamburg
CLARE DOMMETT finds Ailey’s spirit very much alive
Sources and The Show Must Go On!
KATJA WERNER bemoans an ethnic artist’s lot but thanks Jérome Bel for changing his mind
Why DOES Ballet LOVE galas?
EMMA MANNING finds out why in Paris
Rennie Harris and PPS Danse
CAITLIN SIMS on Romeo relocated to North Philadelphia
Sylvie and Skin
MICHAEL MONTGOMERY feels short-changed by Guillem’s debut in Sydney but enjoys Bangarra’s new Skin
Still Distinguished
MICHELLE MAN is absorbed by the wry antics of La Ribot
Chris Bannerman & Mavin Khoo
Aletta Collins
Ariadone
The Beautiful Game
Leine and Roebana
Ballet Atlantique
Victor Ullate Ballet
Krisztina de Châtel
Gala Evening of 21st Century Ballet
The Royal Ballet of Flanders
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