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Editorial
Entre Nous
Auditions/Jobs
European Performance Diary
Premieres
The Big Rendezvous: DARCEY BUSSELL
NICHOLAS ROWE meets the Royal Ballet’s biggest media star
WORKING IN EUROPE Part 2
Contacts and info on auditions and wages
MAURO BIGONZETTI
Aterballetto’s innovative artistic director on his search for Paradise
PAUL TAYLOR AND A BEAUTY IN PARIS
DON MORRIS spots a new ªtoile and applauds the staying power of the American choreographer
LAST WORDS: JOHN-PAUL ZACCARINI
DONALD HUTERA talks to the aerialist once dubbed as “absolute sex on a rope”
WHO SHALL TELL THE DANCER FROM THE DANCE?
TILMAN O’ DONNELL reflects on issues raised at the Not Just Any Body conference
TALKBACK
JULIA CARRUTHERS questions the change in the Arts Council’s project funding
Holland Dance Festival
The Hague’s biggest dance bash
French Nuts
CAROL PRATL discovers that some nuts are harder to digest than others
Gothenburg Ballet
MAGGIE FOYER analyses the company’s first programme under its new director Anders Hellstrom
The People’s House
EMMA MANNING reports on the inaugural performances in the refurbished Covent Garden
Peridance Ensemble
TIM MARTIN applauds Igal Perry’s polished dancers
Celebrating The Decades in Madrid
MICHELLE MAN on milestone performances by two Spanish companies
Athletic Athenians
ELIZABETH OLD checks out a company in Athens
DANZAaILITTA & Dylan Dog
ALLESANDRA GALLONE in Milan and Verona
Americans in Zurich
HILARY SOUL on the Zurich Ballet’s American affair
Norwegians in Venice
IRINA RONCAGLIA views Corder’s Romeo and Juliet
Neumeier in Hamburg
CLAIRE DOMMETT on Neumeier’s latest Biblical epic
Hosseinpour, Teshigawara & Forsythe
ALISON KENT weighs up new premieres in Munich
Ballet of the National Theatre at Belgrade
Best German Dance Solo
Alvin Ailey American Dance Theatre
Northern School of Contemporary Dance
Anonymous Society
Philippe Blanchard
Thomas Plischke
Compagnie Mossoux Bonté
Croatian National Ballet Split
National Ballet of Latvia
Scottish Ballet
Editta Braun
The Royal Ballet
Royal Ballet of Flanders
Dancing on Dangerous Ground
Bill T. Jones and the Paris Opera
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