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Editorial
Entre Nous
Auditions/Jobs
European Performance Diary
Premieres
Irek Mukhamedov and Company
DEBBIE WEISS applauds an evening in which Russian met Royal at Sadler’s Wells
Dance Umbrella
DONALD HUTERA, HELEN COOPER and ELIZABETH OLD report on a selection of this year’s performances
Sydney Dance Company
NICHOLAS ROWE contemplates the latest premiere from Graeme Murphy
Scandinavian Fare
DONALD HUTERA checks out Norway’s Oktoberdans while MAGGIE FOYER sums up the latest offerings in Denmark and Sweden
Endless House and Schamanen
GERALD SIEGMUND sees two similarly inspired premieres in Frankfurt and Mannheim
Flying cows, Munich’s 10 Year Gala, Ludwig II, Wanda Golonka & Groupe 13
CLAUDIA ASSMANN, ALISON KENT, KATJA WERNER and CLAIRE DOMMETT scoot around the start of the season offering in Germany
From Apollo to Jellyfish
HILARY SOUL sees Ballet du Rhin’s 20th century retrospective, while CAROL PRATL struggles with Angelin Preljocaj’s new work
Fragile and Interrupted Light
MICHAEL SEAVER evaluates new work in Dublin
CONNY JANNSEN
MICHAEL HODGES discusses the creative process with Dutch choreographer Conny Janssen
from London, Madrid, Milan, Zagreb, Reykjavik, Dundee, Edinburgh, Glasgow, Canterbury, Birmingham, Venice and Sarajevo
ROLAND PETIT: Choreographer of the 20th Century
EMMA MANNING talks to the French choreographer about love and death.
SAN FRANCISCO BALLET
the company’s first London season, plus ABT in Paris, the Paris OpĒra’s Clavigo and City Ballet of London’s Viva!
LION KING FAGAN
Last Words from the choreographer of the Disney musical noted by DONALD HUTERA.
WORKING IN EUROPE
A new Directory of European Dance Companies with contacts and info on auditions and salaries
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