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Editorial
Entre Nous
Letters
Auditions/Jobs
Brief Reviews
Premieres &
European Performance Diary
LIN HWAI-MIN: Choreographer of the 20th Century
NICHOLAS ROWE meets the founder of Cloud Gate Dance Theatre
EMMA B
ALISON KENT on Jean Grand-Maître’s new ballet in Munich
GET INTO SUMMER DANCE
Europe’s dance festivals and courses - where to go, how to get there and what to see
DALIA’S STORY - DANCING IN BELGRADE
DALIA DANOLOVIC on how she, and other dancers, have coped with the war in Europe
CLAIREMARIE OSTA
MICHAEL MONTGOMERY takes Swanilda, Kitri and Gamzatti out to lunch in Paris
Versatility and Style
MARIA PALMEIRIM, ALPHONSE POULIN, CLOTILDE VAYER and DAVID WALL on preparing dancers for today’s repertoires
Talkback
DENIS VAUGHAN on what to do with £3.6 billion of lottery money
Last Words
TERO SAARINEN on juggling his time between Helsinki and Paris
Spring Loaded
DONALD HUTERA picks out the joys from the miz…
Concert, woundwork 1, pas./parts, Sabotage Baby
EMMA MANNING catches William Forsythe’s first new ballets for the Paris Opéra since In the Middle…
German Premieres
GERALD SIEGMUND, CLAUDIA ASSMANN and CLAIRE DOMMETT appraise new work in Darmstadt, Berlin, Leipzig and Hannover
Cirque du Soleil and Graham
MELANIE NIX goes to the circus in Amsterdam
Ek, West Side and Virpi Pakhinen
MAGGIE FOYER is enchanted and disappointed before encountering an extraordinary performance
Dansez!
NIKI GLADSTONE at Geneva’s cross-frontier dance festival
José Montalvo & Karine Saporta
CAROL PRATL enjoy’s Montalvo’s satire
Woking Umbrella
ELIZABETH REDICK weighs up the offerings
New Moves
DON MORRIS is not so impressed with the Glasgow festival
Morris and Cunningham
CAITLIN SIMS on Baryshnikov in The Argument and the new Merce in Berkeley
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